Steadicam Equipment List P.R.O. II Sled, with TB-6 monitor and PD-L level system. P.R.O. Arm, with heavy and light springs. P.R.O. Superpost D.S.D. Rear Mounted Harness. Charboneau Hard Mount (Garfield Adapter) Canatrans II, Video Transmitter. Sony, Hi8 clamshell receiver/recorder. Sony GV-5 onboard 8mm recorder. Hill Docking Bracket Lentequip wind up docking stand. (2) Anton Bauer Quad Chargers. (4) Anton Bauer Li-Ion batteries (5) Anton Bauer Trim Pack Batteries (8) Anton Bauer Proformer batteries. Preston FI+Z microwave, digital lens control system, with microforce zoom control. Adaptor gears for Canon, Fuginon, Panavision and 32 pitch native lens gears. Hill motor mounts for 15mm and 5/8 iris rods., Panavision rod adapter, Arri rod mount rosette and dovetail. P.R.O. gimbal. XCS and Mk-V dovetail plates. XCS ergonomic gimbal handle. MK-V tools free grip adapter for gimbal. Start stop cables for 12v Arri, 24v Arri, Moviecam, Panavision, Sony 900 HD, Canon lens zoom/start/stop, Fuginon zoom/start/stop. Antlers Wind stabilizer system. (2) Kenyon K-6 gyros for long lens work. Lo Mode bracketry for Arri SR 1,2,3 Arri 3 (steadimags required) Arri 435 (steadimags required) 35 BL (all series) Moviecam Compact. Handle Clamp for video cameras. Lo Mode Cage for everything else. P.C.I. video tap for 12v Arriflex cameras, with Seitz CCD camera, works with super 16 and super 35 modified cameras…. Shipping cases for the lot!
		A note to my valued clients and colleagues Pretty much anything that gets offered manufacturing wise to the steadicam community I look at very seriously.  I depend on the great designers and engineers at P.R.O, XCS, Lentequip, and Walter Klassen FX to make this dream machine of mine a reality. My aim is to provide the quickest set up to the client, fast switches to lo-mode and reliable, dependable equipment up to the task of getting those great shots laid down on film or tape. Like many operators of my vintage, I struggled and worked around several early systems, the model 2, the model 3A, various hybrids, analog Seitz, WRC-3’s, dodgy video transmitters and all that stuff… I can happily say we now have the modern steadicam as a device to offer to the production community, a super reliable, flexible, and fast to utilize tool.